DIVVS·IVLIVS

Commentarii de religione Divi Iulii vel primordio Christianitatis

Category: Research

Die sechste Stunde — Sommer 2015 / Summer 2015

Veröffentlichung im Sommer 2015 (unverb.: 15. August)
Coming in summer 2015 (tentative: 15 August)
German language only (for the moment)

ARNE EICKENBERG

Die sechste Stunde
Synopsen zum historischen Ursprung der Wunder und Naturkatastrophen in der Passion Christi

VERLAG LUDWIG
ISBN 978-3-86935-193-3

208 + XIII Seiten, 13 S/W-Abbildungen, 1 Tabelle

€24,90
Erhältlich in jedem Buchgeschäft sowie online.
Available in every online and real-world bookstore.

6STD CoverFront 20150312

Image copyright: © 2015 Arne Eickenberg

We come to bury Caesar! — Begraben wollen wir Caesar!

We come to bury Caesar!

Printing a journal takes its time: almost a year of waiting after peer review… but now the article on the accurate historical date of Julius Caesar’s funeral has been published in the Revue des Études Anciennes… and the conclusions are shaking many foundations… a new image emerges… and after more than 2000 years we have finally buried Caesar. See below for the links to Liberalia tu accusas!.

Begraben wollen wir Caesar!

Eine Zeitschrift zu drucken dauert seine Zeit: fast ein Jahr des Wartens nach dem Peer-Review… aber nun ist der Artikel über das korrekte historische Datum von Julius Caesars Beisetzung in der Revue des Études Anciennes veröffentlicht worden… und die Ergebnisse rütteln an so einigen Fundamenten… ein neues Bild erscheint… und nach mehr als 2000 Jahren haben wir Caesar endlich bestattet. Hier sind die Links zu Liberalia tu accusas!.

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Proofreading Liberalia tu accusas!

We are currently processing the galley proof of our article Liberalia tu accusas! on the correct date of Julius Caesar’s funeral to be published soon in a renowned peer-reviewed journal for ancient history. The postprint version is being edited accordingly. We do not know yet, when we are allowed to republish the article as a PDF online, but it might be as soon as early 2012. We will keep you posted.

Astigi quod Iulienses. The mystery of Astigi and the palm of Munda

Écija revisited: Francesco Carotta has written a new article called Astigi quod Iulienses. El misterio de Astigi y la palmera de Munda. The article is available in Spanish here. From the abstract:

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The Ascensions of Christ and Caesar

A picture is worth a thousand words, so today we will rather look at the iconography…

A famous depiction of Christ’s Ascension is the Christus Helios, a late third century Roman ceiling mosaic, which is said to show Jesus as the sun god Helios (Sol or Sol Invictus) riding to heaven in his chariot. Since the historical Jesus was Julius Caesar, we find the iconographical predecessor in the first century BCE, a relief depicting the apotheosis and ascension of Caesar as Divus Iulius (“God Julius”), riding to heaven in his chariot. The main characteristics are exactly the same: god, chariot, wheel, horses with raised forelegs, plants, and the general theme of ascension. Here are the images:

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Revista de Arqueología republishes “Orpheos Bakkikos”

CaesarSimulacrum_OrpheosBakkikos.jpg
Caesar’s funeral: wax effigy on tropaeum (left) | “Orpheos Bakkikos” artifact (right)

The Spanish journal for ancient archaeology Revista de Arqueología has reprinted an abridged version of the article “Orfeo Báquico – La Cruz Desaparecida”, originally published in 2009 in the theological journal Isidorianum 18 (35): 179–217. Here’s the abstract taken from the English version “Orpheos Bakkikos — The Missing Cross”:

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Video: Francesco Carotta on the Gospel as a diegetic transposition

The video of an interview held with Francesco Carotta in German, which is embedded below, is apparently an outtake from the documentary feature film The Gospel of Caesar. Here is a paraphrased English transcript of Carotta’s statements on his theory that the Gospel is a diegetic transposition of the Roman sources on Julius Caesar’s Civil War:

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Jesus and Caesar: Brief notes on Palm Sunday

PalmSunday_JuliusCaesar_Jesus_foal_donkey.jpg

We’ve read lots of interpretations of Jesus’ triumphant entry into the City. We’ve read for instance that it was modeled on Roman imperial triumphs. At first glance this would seem like a false notion because Jesus clearly does not enter the city on a chariot, although all other properties do fit the picture, for example the palm branches, the spread garments, the decorated mount, the procession, the triumphant cry, the praising of both the triumphator and the highest god, as well as the entry into the city and into the temple. But it’s a fact that in two of the gospels Jesus enters the city on a young and unbacked horse, a foal, a πωλοc, “whereon never man sat”. That’s right, not on a donkey. Mark and Luke are quite clear about that. Matthew had added his usual midrash and needed to align his Gospel with the LXX, and—so it would seem—he was forced to introduce a second equid for the Old Testament prophecy to make any sense, a donkey, but couldn’t lose the original foal, which results in Jesus riding into the City on two equids at the same time, a foal and a donkey: πωλοc and ονοc. (John revised it further, merged both properties and only speaks of a young donkey, an “ass colt”.) But is that really what the evangelists did? And where’s the connection to Julius Caesar, if the Gospel is really a diegetic transposition of the historical sources on Caesar’s Civil War?

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